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For about six of my eleven years in prison, I lived and breathed theater. It was my primary creative output, sometimes consuming 60-70 hours of my week. The last play I wrote and produced at Marion Correctional Institution was Easter 2001's Is This The King? (click here to hear a song from it). My friend Bill Hamann talked me into returning to the Ministry for a few months in 2002 to write songs for, serve as musical director for and (the real draw) play Judas Iscariot in his Easter play In Remembrance. But by that time I was feeling burned out with the politics and long hours required to get it done well (and, of course, the requirement that every play be somewhat Christian in nature). Plus, I was hopeful that I would be getting released in the next couple of years, so I wanted to spend more time focusing on that (and some other things).
Since 2002 I've not been involved in anything strictly theater related, until now — getting my feet wet this Wednesday (1/18), our usual Lix and Kix night, during Writing Knights Press Presents: Playwriting Knights I. I'll be giving voice to two characters (Smokey and Don, a hippie and a thug) in a staged reading of Dru Brumbaugh's play Break a Leg at bela dubby art gallery and beer cafe in Lakewood (also our usual Lix and Kix venue). The event begins promptly at 8 p.m. and will also serve as a 30th birthday celebration for Writing Knights publisher Azriel Johnson. Apparently there will be verbal stage directions and we won't be off-book, so this is a step or two shy of a full blown production, but I'm gonna have a lot of fun with the script and I'm certain it'll be even more fun if you are present.
bela dubby
13321 Madison Avenue
Lakewood, Ohio 44107
216-221-4479
Writing Knights on Facebook: http://www.facebook.com/writingknights

I haven't watched MTV since the early 1990s. But if we still had cable, I'd watch this. 
These facts may not be mentioned during the program, but these young men are not only officially "ineligible" to use Facebook because of their status, they're also ineligible to particpate in programs funded by Department of Labor grants "to help former offenders gain career skills and rejoin community life." But Charles Manson and Mark David Chapman, when they're released, will be eligible.

It's http://facebook.com/lorcalives
No, I'm not calling myself Lorca. This was an old, neglected d.a. levy and then Lorca "fan" page of sorts that I've repurposed and changed to reflect my real name (but Facebook won't let me change the URL).
I've also recreated the Crisis Chronicles Press page on Facebook:
http://facebook.com/crisischroniclespress
But the best place to find me is still here. My promised new year website changes have been delayed but are still coming as soon as I can find the time. Meanwhile, in my relatively new role as the Ohio Poetry Association's webmaster pro tem, I've remade the OPA blog page: http://ohiopoetryassn.blogspot.com
Hope to see you at one or all of the above!
Though NightBallet Press has been in existence for less than a year, it is already setting high standards in poetry publishing, having produced gorgeous new chapbooks by Jack McGuane, Chansonette Buck, Ralph La Charity, Terry Provost, George Wallace and T.M. Göttl — in addition to its acclaimed 2011 broadside series. I'm pleased to announce that on December 29th, NightBallet published a broadside of my poem "Low Kay Shun":

Rapid Eye Movement is a collection of 17 poems by Ohio's own J.E. Stanley. This 20-page chapbook, saddle stitched and lovingly hand-assembled using high quality white and black cardstock with ivory pages, is available for only $5 US (plus $1 for shipping) from Crisis Chronicles Press.

cover foto/collage: Looking Up by Steven B. Smith
Or mail $6 in any form to John Burroughs c/o Crisis Chronicles Press, 420 Cleveland Street, Elyria, Ohio 44035.
J.E. Stanley
is an accountant and on again/off again guitarist from the grayscale
suburban wilderness of Northeastern Ohio where he is lucky enough to
hang out with the Deep Cleveland Poets and the Cleveland Speculators. He
is the author of Dark Intervals (vanZeno Press), Dissonance (Deep Cleveland Press) and co-author, with Joshua Gage, of Intrinsic Night (Sam’s Dot Publishing). His work has appeared in Amaze, Asimov's Science Fiction Magazine, Cinema Spec, the Deep Cleveland Junkmail Oracle, Paper Crow, The Rhysling Anthology, Scifaikuest, Sein und Werden, Star*Line, Sybil’s Garage
and numerous other mainstream and genre publications. He continues to
assert that, winged or not, Man was always meant to fly; the moon and
stars were just put there as incentives.
Find the author at http://jestanley.blogspot.com.